remko caprio


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Landscape 3: Rembetiko

All day it had rained, interrupting a hesitant summer that was late already. I pulled out a sheet of rolling paper, picked a tuft of Golden Virginia tobacco with my thumb and finger tops, and rolled a thin tsigaro. I struck the match against the box and lighted the cigarette with its flame. I inhaled a breath of relief, squeezed my left eye and looked around. The house of the community was filled to the last seat. New seats were passed along over the heads of people waiting for their drinks, cocktails in white plastic cups or cans of Mythos, at the bar, three tables covered with a white bed sheet. A half crescent of chairs was lined up on stage with microphone standards at waist length. Three socialist red curtains hung from the ceiling against the back wall, the stage lightened by six colored light bulbs, green, red, yellow, blue, yellow, red, hanging from a thick black electric cord. The pie baker walked to and fro, occupied and nervous, with a wasteful haste. The petrol man sat quietly at the far end table of the bar with the bottles of tequila and Red Label Johnny Walker. He greeted every familiar face with a broad Ikarian smile and dark frowned eyebrows. I recognized the doctor with his long pony tail, his droopy eyes, who studied the high number of cancer occurrence on the island. The room filled with smoke, leaving a hazy air of ashy smell and the tones of a lost era of open markets, crowded streets, tiny waterfront tavernas, passenger ships and refugees disembarking. The melancholic ruffling of the bouzouki, the bass of a classic guitar, the tearing of the violin and the soothing of the accordion, dancing away on the clouds of drifting mist in the early morning.



BBC Documentary on Rebetika Part 1

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Landscape 2: Hush

There were no children squealing like piglets while being dragged to the slaughterhouse. There was no pop from a tennis ball slammed by a wooden bat, no short tired laughter. There was no shrill of horny teens being chased into the water. A few hundred meters squatted in the sand, two men sat like desert nomads, motionlessly conversing, in the sand. Further, a girl bend over her boyfriend on hands and knees, her lips kissing his hairy chest. On my other side, a group of chubby boys and girls wobbled like drunken cherubs into the water, attracted to each other by the sheer gravity of their fat wrapped constellations, an obese figure in bikini figured heavily at the water line, like the sun around which these planets of kids circled. But the strange thing was, I heard not a single sound. Higher up the rock, a topless man, hammering the planks for his terrace roof, not a single beat of sound. Even the sea, rolled its waves ashore tacitly. A single cloud hovered still above. A conspiracy to not disturb me.

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Landscape 1: Puppy Love

I gulped down the last bottom of my glass of strong black wine, the local Homeric variation of home brewed wine on the island, and payed the bill, three Euro. I imagined to put down three silver drachma pieces. Would it not be better to still pay in ancient coinage? It is a wishful make-believe that everyone shared. It was night, the constellations guided my way home. The sky, the air, the tree and the road, everything was covered in pitch darkness. But in heaven the stars shone brighter than I ever saw before. I searched for Big Dipper and recognized its handle, the straight cup shape in the sky. The black blanket of night was pierced with flickering holes, a full view of curious eyes that spy on us. I walked up the hill, crossed the bend in the road and passed the trash bins. My eye fell on a carton box and the speckled white puppy head peeking over the edge.

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The Steep Path to the Fortress

Out of the fog that danced in the mountain air with the gaiety of solitude, I saw arise the small chapel of Agios Dimitrios Stavri. Although nothing but a small chapel of simple solid stone coarsely hewed from the mountain rock, it stood on the top of the road on a pedestal of climbing rock with such might and awe, that it grounded the faith of man with unshakable firmness. I stood still and admired this mystical appearance out of the clouds. Agios Dimitrios and Agios Georgios, patron saints of the Crucades, were widely venerated on the island, which was for the longest time, occupied by the Ottomans. This island was the frontier, it was deserted, it was barren, it was impenetrable, it was vulnerable. I was on my way to the castle of Kastro tou Kosikias and the chapel of Agios Georgios tou Drogana..

I looked around me, peeked in the distance, and saw the mountainous landscape of Ikaria flow before me. I took the unpaved road that lead away from the asphalt of modern life and the populated coast and followed a stony dirt path deeper into the protective womb of the island.

The vapor in the air had risen from the immaculate Aegean sea below to the mountain tops hundreds of meters above the coast line, and enclosed me from the inhabitable lower parts of the island, while the clouds were driven further up the steep sides by a strong northern wind. Hidden by the waves of hard stone and a potent maquis green of shurbs and trees, here and there, I encountered flocks of wild goats tacidly grazing the gray pastures, fleeing my intrusion.

I walked up the dirt road that meandered into the mountains. At a less steep part of the hill, I left the road and crossed through the shrubs. Everywhere I stepped, my feet landed on dried goat droppings that covered the landscape. Maybe as short ago as twenty years, the landscape was covered by a dense forest that in long past centuries had protected the Ikarians against pirate invasions as well as the Ottoman census. But the European Union’s Common Agricultural Policy that provided subsidies to subsistence farmers on the island per goat has catalyzed a boom of the goat population that had destroyed the century old habitat.

I turned a bend in the road, and there towering high above the surrounding plain and mountains, I saw in the distant height, the castle of Koskina. Nothing more than the dilapidated walls of a ruin, once a Byzantine fortress, now only the restored chapel of Agios Georgios was clearly visible, while the castle walls around it had dissolved into the rock from which it once rose. I hoped to find here at least a clue, but maybe even parts of the treasure. The fortress was the most obvious place to seek, because it was a fortress, and thus it must have been build to protect something or someone. For this reason, I decided first to set out for the castle.

At the foot of the mountain, I looked up at the impressive climb. At the side of the road, hidden between shrubs and stones, the remains of a small round building, a guarding tower perhaps, or a shelter against the sun for a shepherd or a farmer tending to his vineyard here on the small stretch of plain cultivable land.

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The Death of Literature
Death in literature is an elementary metaphor, as the fear of death is one of our Id’s primal impulses, together with the sexual urge to reproduce and overcome it. The resurrection of our mind is the symbol for the cycle of life, the seasons, birth and death, crucifixion and resurrection, destruction and creation, night and day, there’s probably nothing more universal, nothing more primal than death and life. The article in the Guardian In theory: the death of literature is a great short essay that analyzes the perspective of the Romantics on death in literature as an elementary original perspective that lays at the root of the birth of the modern novel. It’s a very original view with lots of references in high overview, which makes it easy to make any argument, but it’s convincing until midway when the argument becomes an old man’s lamentation on modern times. Here is where the author Andrew Gallix the other essence of the Romantics in my opinion, namely the overcoming of the fear of death in favor of a naive and blind will for creation, this resurrection of the conscious mind is what represents the true power of the Romantic era. In the face of death we are not afraid to throw ourselves in the abyss and love.

Der Zauberberg (1982)
An international production of Thomas Mann’s 20th century classic about the first world war, Der Zauberberg (1982).

Divine Mathematics: George Cantor and Infinity
In Dangerous Knowledge – BBC, Georg Cantor’s Continuum Hypothesis and Georg Cantor‘s life is described. Cantor was obsessed with the problem of infinity. Cantor reminds me Pythagoras, who founded a religious school of Pythagoreans who searched the divine truth by revealing the mathematical formulas that described nature. Boltzmann defined a breakthrough in the field of probability, which is crucial for the theory of entropy and chaos.

Solve Puzzles for Science - Fold.it
Solve puzzles for science with Fold.it. Crowd-sourcing scientific problems.

The Master and Margarita - Russia TV
The Master and Margarita – Russia TV Russia’s first television production of The Master and Margarita, the novel by Mikhail Bulgakov. Vladimir Bortko is the director and screenwriter of the new adaptation. The mini-series of ten 52-minute episodes was first screened on the state television channel “Россия” (“Russia”) on December, 2005. The Master and Margarita is a novel by Mikhail Bulgakov, woven about the premise of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, as well as one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.

Hunting the Hidden Dimension
Hunting the Hidden Dimension Pt. 1 This film is about looking at the world around us in a completely different way. If you pay attention, you can see that fractals appear throughout nature. But until Benoit Mandelbrot came along, no one really understood what was there all along. more...

Benoit Mandelbrot, Father of Eternity, Coined the Term 'Fractal'
Benoit Mandelbrot, Mathematician, Dies at 85 Dr. Mandelbrot coined the term “fractal” to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature.

Comparative Democracy
Originally, I was playing with the idea that representatives should have to pass an exam to become eligable to run for political office. While listening to C-SPAN broadcasts of Congress committees, or members of Congress giving interviews to NPR, where on some shows they are allowed more speaking time than the 20 or 30 seconds, I am too often shocked by the lack of depth and the absence of fact in their statements. more...

The Tree of Life
The Tree of Life Project (ToL) is a collaborative effort of biologists from around the world. The project provides information about the diversity of organisms on Earth, their evolutionary history (phylogeny), and characteristics. Another project that visualizes the phylogeny of life for the plants phylum is Deep Green by the Green Plant Phylogeny Research Coordination Group of Berkeley University.

Litarary Word Comparison
Introduction This is one of the small research projects that I am currently conducting. I am not pretending to offer or accomplish any scientific added value to the research community in the field of Natural Language Processing (NLP) but humbly submit my efforts to gain further personal learning. While the research remains unfinished and until I publish it formally, I will keep this post as a mini-post. As a Universal Man, a Humanist, a Renaissance Man each individual man has an obligation to question and further his or her knowledge and understanding, as it lies within our capacities. Learning is a tool to humble our heart, and most of all we should mistrust brave hearts. Matt Ridley in his book Nature via Nurture says (says Richard Dawkins in his The Ancestor’s Tale in The Mouse Tale chapter) that “the list of words in David Copperfield is almost the same as the list of words in The Catcher in the Rye.” Springing from this saying, I concluded that it would be an interesting project to create a plotter diagram in which the major works in literature (written, translated or edited into modern English for reasons of ease of comparison) are set out as number of total words versus the number of different words used and another network graph that displays the relative closeness of literary works by words used. The first diagram is the easiest to create of course, so I will start with this first, then moving on to the next network diagram. more...