remko caprio


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1min Urban Liquid

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NYSC – 34th st @Park Ave

Time: ~ 18.45 pm
Duration: 35:00:00 minutes
Distance: 4.00 miles; 6.44 km
Speed: 8.75 minutes/mile

comments (0) | category: new york,runs |

The Diaries of Arnon Grunberg (11)

“Don’t you grow tired by your own disquiet?”
“Sometimes,” only to add at the last moment,”perhaps.”
Such a settled question, Arnon thought. Only an old man, whose years have worn down his body, sees struggling and making efforts as a burden. To the vigor of a youth, being challenged feels like an elevation of the mind, to which he looks eagerly forward.

“But then you also run from deadline to deadline.”
The interviewer’s questions started to irritate Arnon, realizing that this man’s decay was printing itself on his mind and thus polluted his lust for life. The interviewer seemed to suggest that it was all too much, that this restless inspiration needed a break, take some time off, lay in bed and do nothing for a whole day but fetish itself in lazy dinners.

“Yes, but everything that has a pattern, is easy, and I don’t forget.”

While Arnon heard his own voice say the last lines, hearing himself, he realized already did the gray haired, saggy face with the coarse scraping voice affect him. He reflected on the absurdity of the answer, embarrassed by the apparent habit of himself that he displayed in public. This pattern of routines was what tired him, not the exerting demands.

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NYSC – 3rd Ave @41st st

Time: ~ 19.00 pm
Duration: 30:00:00 minutes
Distance: 3.20 miles; 5.15 km
Speed: 9.375 minutes/mile
Pulse: maximum 190

comments (0) | category: new york,runs |

The Diaries of Arnon Grunberg (10)

Arnon sat at the bar and ordered another Brooklyn lager, supporting his head and leaning with one elbow on the counter. The trivial absurdity dawned on him of only being able to drink Heineken when he still lived in Amsterdam. Although he hated the bourgeois fetish with feeling good, its obsession with consumption and with being entertained, at least a man should be able to choose his own beer, Arnon thought. Heineken controlled what type of beer you drank in Amsterdam. He had escaped that controlled environment of Amsterdam, where life took place under a bell jar, and never took on a scale bigger than individual man, the way it did here in New York. Here, a man felt in control over his destiny in the grid of the city, here you could believe in an illusion still. The scale of reality pushed a man up to the thought to be still physically part of the life around us. Standing on the top of the Rock and looking out over the sky scrapers, seeing their golden domes, the glass facades, rising so high above manhood, that what remained were only dots. The people below look just like ants, and they counted for no more than ants. And yet, looking at the world from the top of this ferry wheel, one felt like a god, not subjected, but in control of the spectacle. How different, to stand on the Wester belfry in the Jordaan and feel the heavy heaven of rainy clouds fall upon the city, every moment capable of washing away the sinful souls, opening up to give way to a Biblical deluge. Here on the island there was no one to look down on Arnon.

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I am in the heart

bass solo

comments (0) | category: carackus |

The Girl in the Window (2): Black Silhouette of the Past

Her deep, black silhouette is tightly pressed against the whitened window’s glass. Her opened mouth astonishing and astonished at the same time, her eyes are absorbed by the blinding light that sheds through the panes. I stand behind her in the dream, behind her curved back as she turns in a flash toward the garden, away from me. I can’t see what she sees, a figure. Is this when I lose her? Is this when that she is losing something, is this a memory of her childhood? In the instant, she wants to run after the figure in the garden, chase it, but she is locked in by the walls, the windows, the glass, the frames, she stands still and instead only her eyes follow the man out of the garden, opening the gate, closing the gate again. I want to pull her back toward me but I sit at the kitchen table behind her and cannot reach her fragile body, that I want to cherish, retain, regain, possess, I want to enclose her in my stretched out arms that form an empty embrace, but she is out of my reach. I feel sad, I want to cry, but I have lost the reaction to sadness, and just stare at her beautiful, lost, black body, mourning. A continent away in time, the same dream, forward in time, the same room, the same kitchen table, my same stationary point of view in the girl’s life. I don’t see the coal black silhouette anymore, not the large lips, the curved eyebrows running like crescent lines around the waxing, tiny eyes, instead, a brightly lit, brown face on the other side of the window. Her face stained by the dusty window, her mouth covered by one of the white window bars, I can only see her longing eyes, her African nose, her Afro hair that fits her like a hat. Her face is framed near the door handle, in the pane below her flat, girlish body wearing a black sweater, but her arms hang silently besides her slim body, she stares at me, I cannot read her thoughts. Does she long for me to embrace her perhaps, does she not comprehend why I still sit at the kitchen table? I feel immense sadness again, I wish to hold her, kiss her, to comfort myself perhaps, I search for lips, but they are invisible, out of sight, untouchable.

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The Big Bang of Self

“Everything living dies of internal reasons,” Artaud thought. It is the law of being which states that all matter, organic or not, has no presence to the other except as an outer, remote appearance. This appearance was but a coincidental appearance, which was incapable to revert itself to the deliberate action of essence. Sartre had stated something along similar lines, he remembered, but of course, to Sartre the essence had been the self, and the appearance had been the impossibility of love. Death was the negation of the subject of the other, turning the other into a state of object. It was not enough therefore that dark matter constituted only eighty percent of the matter in the universe, according to estimates. It was obvious in Artaud’s understanding that the universe itself was only a representation of the self and that this, true to its nature, was fully unknown. The dark matter of the universe together with ordinary matter did not even exist. The Big Bang had come into being by the immaculate conception of theoretical physics, but this ontological myth had as little to do with science as the religious myth of Creation. God created life, but as Artaud believed, the I was destined to die. Artaud concluded therefore that perhaps a lot of things didn’t make much sense, or at least not right now, but as soon as he would unravel the mystery of death, the last missing chapter in his Theory of Life, the pieces of the puzzle would automatically fall together.

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The Girl in the Window (1)

I watched the heavy lump of male flesh sink rhythmically into the nest formed by the two slim legs, hanging somewhere in mid air without grace, of the girl with black hair laying on her back. She was being fucked without lust, his body rising again from her clinches but too heavy to free itself from his own gravity that weighed on her, trapping her in the mattress. She moved into another position only at the silent gesture of his hands pushing her sidewards or upwards, without portraying any sense for pornographic beauty or luscious will. I stared nevertheless obsessively at these two slowly fucking white torsos, maybe as much captured by their lack of desire as bythe beastly attraction of their movements. Their act of pairing visualized a necessity. I saw no passion, no madness, just two human bodies clumsily caught up in an attempt to shake off their loneliness, their movements desperately failing to escape their human fates. I saw the fat on the man’s waist shake like a distant gel and felt disgust and pity. The girl’s arms lay folded helplessly above her head, and I wanted to grab her hands and pull her out of her trap. When I looked again, their tired bodies lay along each other, in a parallel harmony, his hand caressing her, like unexperienced children denying the violent clash of lovers. His hand glided from her shoulder to her waist, over her thigh, as if to comfort her. I felt utter boredom and jerked myself off watching them.

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Les Pensées

Artaud felt how the drizzle absorbed the mass of his body, the space of the city, and believed that he would soon dissolve, or was it Artaud who absorbed the drizzle, the city, the space, the mass, like millions of other bodies that wandered through the city without aim.

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The Death of Literature
Death in literature is an elementary metaphor, as the fear of death is one of our Id’s primal impulses, together with the sexual urge to reproduce and overcome it. The resurrection of our mind is the symbol for the cycle of life, the seasons, birth and death, crucifixion and resurrection, destruction and creation, night and day, there’s probably nothing more universal, nothing more primal than death and life. The article in the Guardian In theory: the death of literature is a great short essay that analyzes the perspective of the Romantics on death in literature as an elementary original perspective that lays at the root of the birth of the modern novel. It’s a very original view with lots of references in high overview, which makes it easy to make any argument, but it’s convincing until midway when the argument becomes an old man’s lamentation on modern times. Here is where the author Andrew Gallix the other essence of the Romantics in my opinion, namely the overcoming of the fear of death in favor of a naive and blind will for creation, this resurrection of the conscious mind is what represents the true power of the Romantic era. In the face of death we are not afraid to throw ourselves in the abyss and love.

Der Zauberberg (1982)
An international production of Thomas Mann’s 20th century classic about the first world war, Der Zauberberg (1982).

Divine Mathematics: George Cantor and Infinity
In Dangerous Knowledge – BBC, Georg Cantor’s Continuum Hypothesis and Georg Cantor‘s life is described. Cantor was obsessed with the problem of infinity. Cantor reminds me Pythagoras, who founded a religious school of Pythagoreans who searched the divine truth by revealing the mathematical formulas that described nature. Boltzmann defined a breakthrough in the field of probability, which is crucial for the theory of entropy and chaos.

Solve Puzzles for Science - Fold.it
Solve puzzles for science with Fold.it. Crowd-sourcing scientific problems.

The Master and Margarita - Russia TV
The Master and Margarita – Russia TV Russia’s first television production of The Master and Margarita, the novel by Mikhail Bulgakov. Vladimir Bortko is the director and screenwriter of the new adaptation. The mini-series of ten 52-minute episodes was first screened on the state television channel “Россия” (“Russia”) on December, 2005. The Master and Margarita is a novel by Mikhail Bulgakov, woven about the premise of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, as well as one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.

Hunting the Hidden Dimension
Hunting the Hidden Dimension Pt. 1 This film is about looking at the world around us in a completely different way. If you pay attention, you can see that fractals appear throughout nature. But until Benoit Mandelbrot came along, no one really understood what was there all along. more...

Benoit Mandelbrot, Father of Eternity, Coined the Term 'Fractal'
Benoit Mandelbrot, Mathematician, Dies at 85 Dr. Mandelbrot coined the term “fractal” to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature.

Comparative Democracy
Originally, I was playing with the idea that representatives should have to pass an exam to become eligable to run for political office. While listening to C-SPAN broadcasts of Congress committees, or members of Congress giving interviews to NPR, where on some shows they are allowed more speaking time than the 20 or 30 seconds, I am too often shocked by the lack of depth and the absence of fact in their statements. more...

The Tree of Life
The Tree of Life Project (ToL) is a collaborative effort of biologists from around the world. The project provides information about the diversity of organisms on Earth, their evolutionary history (phylogeny), and characteristics. Another project that visualizes the phylogeny of life for the plants phylum is Deep Green by the Green Plant Phylogeny Research Coordination Group of Berkeley University.

Litarary Word Comparison
Introduction This is one of the small research projects that I am currently conducting. I am not pretending to offer or accomplish any scientific added value to the research community in the field of Natural Language Processing (NLP) but humbly submit my efforts to gain further personal learning. While the research remains unfinished and until I publish it formally, I will keep this post as a mini-post. As a Universal Man, a Humanist, a Renaissance Man each individual man has an obligation to question and further his or her knowledge and understanding, as it lies within our capacities. Learning is a tool to humble our heart, and most of all we should mistrust brave hearts. Matt Ridley in his book Nature via Nurture says (says Richard Dawkins in his The Ancestor’s Tale in The Mouse Tale chapter) that “the list of words in David Copperfield is almost the same as the list of words in The Catcher in the Rye.” Springing from this saying, I concluded that it would be an interesting project to create a plotter diagram in which the major works in literature (written, translated or edited into modern English for reasons of ease of comparison) are set out as number of total words versus the number of different words used and another network graph that displays the relative closeness of literary works by words used. The first diagram is the easiest to create of course, so I will start with this first, then moving on to the next network diagram. more...