remko caprio


home home
home aboutme
home writing
      dull boy jack
      ophelia's love
      the birth of ego
      theombrotus
      the shield of achilles
home music
      bs
      carackus
      blockbuster noise
home other
      drawings
home technology blog

RSS

Review: British Art Resistance


‘Oh really?’ I heard him say while frowning one eyebrow.
I looked at his obnoxious stare.
‘Yes, really,’ I childishly answered, not caving in an inch.
‘Let’s step outside!’
I punched Billy Childish in the head, where I thought he was most fragile, and yanked his pointy dandy mustache. He was sniffing from rage like a bull. What a bugger I thought. He hit me back in the gut, but I felt little, a miscalculation, he pushed me over, in an attempt to make me loose my balance, but I still stood firm. He countered quickly with a jab to the liver, that hurt. I kept Billy at a distance with a grip to his neck with my outstretched arm. I punched his nose again, he started to bleed. He yelled ‘you bourgeois pig’, but I had no pride and barely heard him. He tripped over his lanky legs, he was awkwardly build, not an attractive man by the average standard, although there was something common about him. This sped through my thoughts as we tumbled to the dust. I landed on top of Billy, I felt the clamor of a short breath against my cheeks, squeezed out of his lungs by his body hitting the ground flat out. I felt like two puppies rolling clumsily over the ground. Neither of us controlled our own demeanor any more, pushed and pulled by the other and by gravity working on our bodies. In the end there was no purpose of course, some by-standers pulled us apart. I was panting, while Billy kept on screaming, trying to hit me with foul words and a vulgar spirit, to which I kept my calm. I thought ‘what trash’ while recuperating. I never liked Billy very much, although he was gifted.

comments (0) | category: one pages,writing |

Ginger

Patrick was a young ginger man with a freckled face who was adopted by the family of a Korean minister at the Church of Jesus Christ of Latter Day Saints in Flushing, Queens. He grew up with sermons from both the pulpit and the kitchen table. His parents offered him a home, but he felt excluded from their hearts. They strongly favored his older Korean brother and sister, who were their biological children. For a long time he resented his family for this.

From his eleventh to his fifteenth he lived in South Korea with his uncle who was a missionary in Seoul. He learned to speak English with a Korean accent and became fluent in Korean, which often astonished people who met him. In highschool he was a quiet dilligent student who graduated with honors and great hopes to save people’s souls and make the world a better place.

At eighteen he moved to Chicago where he studied Clinical Psychology at the University of Chicago. As part of his medical program he worked on the Pine Ridge reservation of the Sioux in South Dakota at an addiction treatment program. At Pine Ridge he discovered drinking and marihuana and decided he wanted to enjoy life. One night he went into the desert, drew a circle around him in the sand and expected Satan, but struggled with God.

He lost faith in Christ and forgave his parents. He stopped going to church and started to party, neglecting his studies. He became an adapt of Freud, developed a reborn passion for psychology and graduated. He worked in a Chicago practice for two years, writing some case studies that gained him some recognition. He continued his studies at the Chicago Institute for Psychoanalysis where he specialized in the treatment of anxieties.

Patrick moved to New York and started his own practice on the Upper West Side. Within a few years he managed to pull in a six figure annual income from a class of anxious wives of stressed investors, children of absent trust fund fathers, and regular neurotics. During the recession, he bought a condominium in the West Village and lived a life without worries. He dated beautiful but average women and preferred not to talk about his work. In the evening he loved going to dinners, chat about idle affairs over wine, and was relieved that he did not have to think anything of it.

comments (0) | category: one pages | tags: ,

 
     
 

The Death of Literature
Death in literature is an elementary metaphor, as the fear of death is one of our Id’s primal impulses, together with the sexual urge to reproduce and overcome it. The resurrection of our mind is the symbol for the cycle of life, the seasons, birth and death, crucifixion and resurrection, destruction and creation, night and day, there’s probably nothing more universal, nothing more primal than death and life. The article in the Guardian In theory: the death of literature is a great short essay that analyzes the perspective of the Romantics on death in literature as an elementary original perspective that lays at the root of the birth of the modern novel. It’s a very original view with lots of references in high overview, which makes it easy to make any argument, but it’s convincing until midway when the argument becomes an old man’s lamentation on modern times. Here is where the author Andrew Gallix the other essence of the Romantics in my opinion, namely the overcoming of the fear of death in favor of a naive and blind will for creation, this resurrection of the conscious mind is what represents the true power of the Romantic era. In the face of death we are not afraid to throw ourselves in the abyss and love.

Der Zauberberg (1982)
An international production of Thomas Mann’s 20th century classic about the first world war, Der Zauberberg (1982).

Divine Mathematics: George Cantor and Infinity
In Dangerous Knowledge – BBC, Georg Cantor’s Continuum Hypothesis and Georg Cantor‘s life is described. Cantor was obsessed with the problem of infinity. Cantor reminds me Pythagoras, who founded a religious school of Pythagoreans who searched the divine truth by revealing the mathematical formulas that described nature. Boltzmann defined a breakthrough in the field of probability, which is crucial for the theory of entropy and chaos.

Solve Puzzles for Science - Fold.it
Solve puzzles for science with Fold.it. Crowd-sourcing scientific problems.

The Master and Margarita - Russia TV
The Master and Margarita – Russia TV Russia’s first television production of The Master and Margarita, the novel by Mikhail Bulgakov. Vladimir Bortko is the director and screenwriter of the new adaptation. The mini-series of ten 52-minute episodes was first screened on the state television channel “Россия” (“Russia”) on December, 2005. The Master and Margarita is a novel by Mikhail Bulgakov, woven about the premise of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, as well as one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.

Hunting the Hidden Dimension
Hunting the Hidden Dimension Pt. 1 This film is about looking at the world around us in a completely different way. If you pay attention, you can see that fractals appear throughout nature. But until Benoit Mandelbrot came along, no one really understood what was there all along. more...

Benoit Mandelbrot, Father of Eternity, Coined the Term 'Fractal'
Benoit Mandelbrot, Mathematician, Dies at 85 Dr. Mandelbrot coined the term “fractal” to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature.

Comparative Democracy
Originally, I was playing with the idea that representatives should have to pass an exam to become eligable to run for political office. While listening to C-SPAN broadcasts of Congress committees, or members of Congress giving interviews to NPR, where on some shows they are allowed more speaking time than the 20 or 30 seconds, I am too often shocked by the lack of depth and the absence of fact in their statements. more...

The Tree of Life
The Tree of Life Project (ToL) is a collaborative effort of biologists from around the world. The project provides information about the diversity of organisms on Earth, their evolutionary history (phylogeny), and characteristics. Another project that visualizes the phylogeny of life for the plants phylum is Deep Green by the Green Plant Phylogeny Research Coordination Group of Berkeley University.

Litarary Word Comparison
Introduction This is one of the small research projects that I am currently conducting. I am not pretending to offer or accomplish any scientific added value to the research community in the field of Natural Language Processing (NLP) but humbly submit my efforts to gain further personal learning. While the research remains unfinished and until I publish it formally, I will keep this post as a mini-post. As a Universal Man, a Humanist, a Renaissance Man each individual man has an obligation to question and further his or her knowledge and understanding, as it lies within our capacities. Learning is a tool to humble our heart, and most of all we should mistrust brave hearts. Matt Ridley in his book Nature via Nurture says (says Richard Dawkins in his The Ancestor’s Tale in The Mouse Tale chapter) that “the list of words in David Copperfield is almost the same as the list of words in The Catcher in the Rye.” Springing from this saying, I concluded that it would be an interesting project to create a plotter diagram in which the major works in literature (written, translated or edited into modern English for reasons of ease of comparison) are set out as number of total words versus the number of different words used and another network graph that displays the relative closeness of literary works by words used. The first diagram is the easiest to create of course, so I will start with this first, then moving on to the next network diagram. more...