A smile without a rock
2004-07-20 @ 7:35 am — rc
A Summer Smile Comes Not Without a Rock
The first azure skies come with a rolling thunder to Berlin. At first, the spotted patterns of the heaven seem harmless, and a deep purple blue colored cloud blows over without a single drop, making room again for the vacant airs of summer. But within minutes new waves of foaming waters above, now accompanied by the fresh smell of moist winds, and sharp, shiny silver stabs of lightning, cut across the rooftop horizon of the city, fast and dangerous but on the slow beat of crawling thunder.
As the heaven closes like a grand stage behind a blackened curtain, the rolls of cleaving light repeats itself faster and faster, like a tiring day forgetting to keep pace, but still more filled with expectation than fulfillment. A summer smile comes not without a rock. The light now breaks through the window’s glass, penetrates the inner sanctuary, and light burst back out, answering the call of lone television sets, of gruesomeness and splendour of a flattened, hollow world. (more…)
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The aestetic understanding of death
2004-07-19 @ 7:34 am — rc
“De dood is een feest, omdat wij alleen maar aan het leven kunnen denken.”
The large world of superseding emotions demands from us to formally abide to social expectations of behaviour, to stop thinking and sympathize, even if the principle of superseding emotions is to be rejected and the souvereignty of the self to be accepted as the dominating principle of western culture and of individuation itself. This inconsistency is upheld with a blunt socially repressive strictness.
The average person can only create a restricted line of dependencies. This is because it is closely related to the phenomenon of psychological fixations, which exclude one or the other of two choices. These exclusive fixations though need to be resolved, in order to discover the true and disinterested aesthetics of the world. However, most people function in a constant web of social dependencies, which emotionally settle in an unmanoeuvrable solidity of formal behaviour. The ratio, in general, is but a weak blow to such concrete structures of the mind. Especially, in small social groups and communities like a rural village or a virtual parallel to it, a weblog community, this small size expresses itself literally, and could fairly be labelled as small-minded. (more…)
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The weather report
2004-07-18 @ 7:33 am — rc
Today, for the first time this year was a beautiful summer day, to enjoy the heat of the sun beating down.
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n/a
2004-07-17 @ 7:32 am — rc
Started reading: Jacob Burckhardt, Die Kultur der Renaissance in Italien (1860)
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Gdansk, anchor of freedom
2004-07-11 @ 7:32 am — rc
The train station of Gdansk lies somewhat at the border of the old city center, the main town. In front of the station lies the main traffic-artery, where ten year old busses and the local trams stop. The main town seems fenced off for visitors by the concrete road and iron tracks. In order to cross to the other side, one has to walk through the pedestrian tunnel underneath the road, since a green barred fence runs along the tramtrack for a few hundred meters in front of us. The pedestrians tunnel houses numerous kiosks selling everything from sexy lingery, cell phones to the latest news. Each store enprisons a salesassistant within a glass cell of one meter depth and three meters wide, stuffed with goods to sell. Resurfacing from these consumerdepths of Polish kiosks, one stands at the foot of a western-style mall, next to the Rossmann drugstore chain that can be found in Poland since the last few years. (more…)
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Das Leben ist Verlassenheit
2004-07-07 @ 7:31 am — rc
Das Leben ist Verlassenheit, das nur die Liebe trösten kann. Aber der Trost bringt Mittelmäßigkeit, die den geistlichen Mensch traurig stimmt. Also, das ist mit dem Leben eben so, dass es nicht erfüllt werden kann. Mann muss das Leiden nun erträgen, so wie mann auch das Gluck nicht bestimmen kann. So trage ich körperlich die Sehnsucht der Schönheit mit, weil ich geistlich leide an Sie, und so liebe ich mit meinem Kopf die Gegenwart meines Geistes, die doch nie ständig mir gehört.
Ich schlage meinen Arm un Sie herum, damit vertreibe ich dann für eine kleine Weile die Langeweile die mir herum schwebt.
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On the other end
2004-07-05 @ 7:28 am — rc
On the other end
Across the street, she could see her neighbour, who diligantly seem to either read, work on his notebook at his desk or put out and take in the laundry, depending on the weather changes. The apartment on the other side lay also on the 4th floor and she could look into what appeared to be his living room.
As every morning around 10 or 11 she would wake up and switch on the television to MTV. She loved waking up to the rhythm of the latest hitmusic and watch the glamour of the stars falling into their large room, in which she had made her bed but which also served as their living room during the day.
Started reading: Robert Musil, Der Mann ohne Eigenschaften (1930-1952)
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Pleasure without interest
2004-07-04 @ 7:26 am — rc
With new devotion I engage myself to the arts. Inspired by the newly found introvercy and descriptions of goodness, the pure selfishness liberated from ambiguous ties to others, that consititutes beauty, and the energetic ambition of a man like Karl Ude. Only through such pure selfishness can we establish goodness without interest, or as Hegel defines estheticism: pleasure without interest.
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The weather pendulum
2004-07-03 @ 7:25 am — rc
The Weather Pendulum
I hear the gentle rolling of cartires, carrying a 1000 kilos of metal and synthetics over the cobbles in the street, mixed in with the soft throbbing of its engine, a lost sound of a faraway object hitting the ground. I react immediately to see if it is raining again. Die Stütze, one of the Berliner streetjournals, writes: all of Berlin is waiting for the summer, me too. So far, it has been quite a challenge to dry one’s clothes. Most of the mornings are beautiful until 9 or 10 o’clock, when a first quick shower hits the window panes. After 10 minutes the sun again is shining. This pattern continues throughout the day, heavy clouds, dark and ominous, passing over, driven by the wind, which drops the temperature immediately from a pleasant 20 degrees to under 16. Que sera, sera. In Amsterdam I trusted that the weather would more or less be close to that of the day before, in New England I had grown accustomed to listening to the weather forecasts again to prevent catching a cold every week, in Berlin I have given up both. (more…)
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Ceska – Hellas
2004-07-01 @ 6:55 am — rc
In the evening, we went to watch the Ceska – Hellas game in a local Kneipe. The bar, a darts bar, of which there are plenty in Berlin, is located just down Boddinstrasse. There is always a mixed response to walking into a local Kneipe in Berlin. Although Germans are very open and welcome to strangers, there is always the reluctant acceptance of intruding their space noticable as well. The guests struggle with the dislike for a second, but quickly overcome their hesitation. It won’t take long before someone starts talking to you here. After a few minutes, an older woman, sitting in front of me on a bar stool and watching the game on the screen in the back of the bar, turns around naturely, and expresses her dissatisfaction about the game of the Czechs so far. I go back and forth with her for a minute or two. Then we abruptly without explanation or announciation interrupt our brief conversation again. Such abrupt endings are accepted with the greatest evidence and stand not in the way of as evident of a continuation of one’s conversation. It characterizes the ease by which Germans interact with other people, stranger, acquintance or friend. (more…)
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The Death of Literature Death in literature is an elementary metaphor, as the fear of death is one of our Id’s primal impulses, together with the sexual urge to reproduce and overcome it. The resurrection of our mind is the symbol for the cycle of life, the seasons, birth and death, crucifixion and resurrection, destruction and creation, night and day, there’s probably nothing more universal, nothing more primal than death and life. The article in the Guardian In theory: the death of literature is a great short essay that analyzes the perspective of the Romantics on death in literature as an elementary original perspective that lays at the root of the birth of the modern novel. It’s a very original view with lots of references in high overview, which makes it easy to make any argument, but it’s convincing until midway when the argument becomes an old man’s lamentation on modern times. Here is where the author Andrew Gallix the other essence of the Romantics in my opinion, namely the overcoming of the fear of death in favor of a naive and blind will for creation, this resurrection of the conscious mind is what represents the true power of the Romantic era. In the face of death we are not afraid to throw ourselves in the abyss and love.
Der Zauberberg (1982) An international production of Thomas Mann’s 20th century classic about the first world war, Der Zauberberg (1982).
Divine Mathematics: George Cantor and Infinity In Dangerous Knowledge – BBC, Georg Cantor’s Continuum Hypothesis and Georg Cantor‘s life is described. Cantor was obsessed with the problem of infinity. Cantor reminds me Pythagoras, who founded a religious school of Pythagoreans who searched the divine truth by revealing the mathematical formulas that described nature.
Boltzmann defined a breakthrough in the field of probability, which is crucial for the theory of entropy and chaos.
Solve Puzzles for Science - Fold.it Solve puzzles for science with Fold.it. Crowd-sourcing scientific problems.
The Master and Margarita - Russia TV The Master and Margarita – Russia TV
Russia’s first television production of The Master and Margarita, the novel by Mikhail Bulgakov. Vladimir Bortko is the director and screenwriter of the new adaptation. The mini-series of ten 52-minute episodes was first screened on the state television channel “Россия” (“Russia”) on December, 2005. The Master and Margarita is a novel by Mikhail Bulgakov, woven about the premise of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, as well as one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.
Hunting the Hidden Dimension Hunting the Hidden Dimension Pt. 1
This film is about looking at the world around us in a completely different way. If you pay attention, you can see that fractals appear throughout nature. But until Benoit Mandelbrot came along, no one really understood what was there all along. more...
Benoit Mandelbrot, Father of Eternity, Coined the Term 'Fractal' Benoit Mandelbrot, Mathematician, Dies at 85
Dr. Mandelbrot coined the term “fractal” to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature.
Comparative Democracy Originally, I was playing with the idea that representatives should have to pass an exam to become eligable to run for political office. While listening to C-SPAN broadcasts of Congress committees, or members of Congress giving interviews to NPR, where on some shows they are allowed more speaking time than the 20 or 30 seconds, I am too often shocked by the lack of depth and the absence of fact in their statements. more...
The Tree of Life The Tree of Life Project (ToL) is a collaborative effort of biologists from around the world. The project provides information about the diversity of organisms on Earth, their evolutionary history (phylogeny), and characteristics.
Another project that visualizes the phylogeny of life for the plants phylum is Deep Green by the Green Plant Phylogeny Research Coordination Group of Berkeley University.
Litarary Word Comparison Introduction
This is one of the small research projects that I am currently conducting. I am not pretending to offer or accomplish any scientific added value to the research community in the field of Natural Language Processing (NLP) but humbly submit my efforts to gain further personal learning. While the research remains unfinished and until I publish it formally, I will keep this post as a mini-post. As a Universal Man, a Humanist, a Renaissance Man each individual man has an obligation to question and further his or her knowledge and understanding, as it lies within our capacities. Learning is a tool to humble our heart, and most of all we should mistrust brave hearts.
Matt Ridley in his book Nature via Nurture says (says Richard Dawkins in his The Ancestor’s Tale in The Mouse Tale chapter) that “the list of words in David Copperfield is almost the same as the list of words in The Catcher in the Rye.” Springing from this saying, I concluded that it would be an interesting project to create a plotter diagram in which the major works in literature (written, translated or edited into modern English for reasons of ease of comparison) are set out as number of total words versus the number of different words used and another network graph that displays the relative closeness of literary works by words used. The first diagram is the easiest to create of course, so I will start with this first, then moving on to the next network diagram. more...
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