remko caprio


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The Trilogy of the Father (3): The Self

Halia was humming lines from ‘If I was a man for a day’. She walked firmly down the crowded street on the beat of her heels clicking to the pavement like automatic gun fire. She answered the occasional glance from a boy with flattered indifference, responding to the jealous stare from a girl with a friendly face of glass. ‘I turn it on, I turn it off, why? cause I can.’
A high beep vibrated in her black jacket’s pocket. She let it go over twice more before answering. ‘Riding to Bear Mountain on Sunday with our bikes? Yeah, I am down! Sign me up,’ She decisively replied. Halia had just traded her old motorcycle for a new Kawasaki Ninja and was dying to race it. She was perhaps a skinny and petite Asian girl, and made a fragile, cute first impression, but in fact she could stand up to any man on the asphalt, being more fearless than most of the boys and more than ready to burn her rubber.
Today though, although it was Saturday, she was off to a business meeting. She had just incorporated her own startup, having received substantial funding for the first six months, and without hesitation, she had quit her daytime job as business analyst for a top financial firm, and jumped into the pool of entrepreneurs that formed the powerful heartbeat of New York. Today was the first presentation to a board of advisors and she was going to push hard to step to the plate.
Success came like a hard blow and she was set to throw the punches. And as she thought hard about success, parading with a soldier’s step, she did not forget why men love bitches.

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Les Pensées

He had always avoided making eye contact with strangers in public, but once he looked at them, Artaud knew he had never realized before, the intense river of loneliness that streamed out of people’s eyes, and scared by what he saw he quickly scurried along.

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BS: trash vagina love splash

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Faces (11)

(11) His spiky Asian hair was carefully aimed into random directions, the color balanced by the black framed eye glasses, as the corners of his dry lips hang downward, adding a melancholic but not sad expression to his saggy face.

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Faces (9-10)

(9) A halo of sprayed, blond-reddish hair, pale, freckled bony cheeks, under the cover of silver-blue eye-shadow, a black glitter shirt sliding off her round shoulder, legs, and the seductive hard lines of black, five-inch pumps, touched the asphalt, and stepped out of the yellow frame, at the moment the photographer on the pavement captured her on the cab’s back seat. (10) Her black cheeks were full and round, like her double D breasts resting against the table top’s side, on her round but small nose rested the black frame of oval shaped glasses, while the back of her relaxed hair curled in a wide curve around her neck.

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The Trilogy of the Father (2): The Father

“Why?” the little girl asked, sitting on her father’s lap. The father placed his firm hand on her little, brisk shoulder and certain of the persuasion of his answer, he replied with a deep, soft voice that that’s simply how things were. Back then, such an assurance by her father proved sufficient to solve her little worries. But somehow, now that her life seemed to have become so much more complicated, her adult mind struggled to accept any longer such matter of fact evidence. Maybe the questions in her life had become too complex to be solved by a fatherly hand on the shoulder, her life seemed mingled in a web of abstractions, or maybe her mind had become too demanding to settle for the simplicity of a child’s answers, real concerns requiring concrete solutions. Her father was still alive, living a few hours away from the city, but for some reason the effect of her father’s assurances, that still echoed that same paternal simplicity, that’s simply how things are, sounded too distant to be audible any longer, drowned by the boisterous voices of practical concerns. What’s is the matter with me? Am I not attractive? Am I too demanding? Are men afraid of a strong, independent woman, who holds the strings of her life in her own hands? Her father on the other hand had cried of pride when she had graduated from law school. He had never told her directly, but her mother spoke to her about how he told everyone that she was a lawyer in New York now, with her own mid-town office and with important clients working on deals worth hundreds of millions of dollars. But to Halia, it was not she who lived in an ivory tower disconnected from the world of ordinary mediocrity, to her it was her father who was the one on the pedestal, whom she respected more than anyone, for his strong will, his determination, having come to America as a hard working immigrant, sacrificing everything to be able to send his daughter to the best schools in the country, working mornings to evenings, to sacrifice himself to advance his children. Was it too much too ask then, to just want to be loved?

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The Trilogy of the Father (1): The Son

Halia was intelligent, successful and beautiful, and did not need any man to look after her. Still, men played an important role in her life. It seemed that she suffered not alone from a wider disease of her time that affected mostly big-city professional women, and which had been diagnosed so strikingly in the television hit Sex and the City. Men on the other hand, of all walks of life, class and race, remained immune for this epidemic, or as Halia saw it, they rather leeched off of this disease of women to feed their egos, although technically leeches were hermaphrodites, but like leeches men eat their prey whole. And thus, when it came to men, Halia felt sucked dry. Asked if she would ever sacrifice her career and ambitions to sooth a man to devote himself to her, she answered resolutely no, absolutely not. But at the same time, there was nothing she craved more than a man to worship her, and she wondered if she had sacrificed herself already being without a man who loved her more than he loved himself. She thought of the goddess worship of Cybele in Ephesos, where Halia had vacationed last summer. Later, in early Christianity , the widespread goddess worship was replaced by the cult of Maria as the mother of Christ at the Council of Ephesos. What had happened in three thousand years that she now lived under the firmly established autocracy of men? In this patriarchal status quo, it apparently was too much a loss of face for men to love a woman beyond themselves. Is that what Gogol meant in his story The Nose? Do men really think that a loss of power threatens their success with women? Then how was it possible that all women with power were still single? Halia did not need a man to take care of her, but she did need a man to love her. Yet, she was intelligent, successful and beautiful.

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Faces (7-8)

(7) Before him lay an open notebook with black cover and lines written in black ink and a cursive, steady handwriting. His hands with widespread fingers, a slight laugh on his lips, and slow movements of his head, emphasized only the calm of his mind. (8) Her straight hair was bleached and reached her shoulders. The bags under her eyes, her reddish tanned skin, her stretched flat lips, and her coarse, boisterous voice revealed an inclination for addiction.

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The Unhappy Patient

Felix Krull lived on Roebling street in South Williamsburg. He was an artist. That is, many people believed he was. He made post-Rauschenberg assemblages, which sold fairly well, not enough to make a name for himself, but enough to make a living as an artist, and of course he was a photographer like everyone else. His most acclaimed work, which even was featured in an obscure art magazine published in Oklahoma by an independent small publisher whom he had found through the listing in the 2009 Writer’s Market and later had spoken over the phone for a long-distance interview, was a guitar assemblage of a M249 toy water gun that served as the neck and a speaker box integrated into the iron cover of an old land mower. Of course, most of his shows had been black and white photographs of his neighborhood and portraits of people whom he met at art gallery openings, exhibited at anonymous cafes and a few bars that he would frequent. The biggest question that lately had occupied Felix was ‘Is unhappiness a physical illness?’, a question which had not found its way yet into representation in his photographs, and to which he had not found a definitive question yet, but he fore felt that it would occupy a central place in his next series of assemblages.

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Faces (1-6)

(1) Her eyes were fully hidden behind her mirrored Ray Ban sunglasses, her flat nose and her pouching lips, crunched into the shape of a fist’s clasp, as if she was trying to grab my attention, her perfectly dark olive skin gave her a warm reception, but her boxer’s face punched right back in your guts. (2) A white bearded man with a scruffy ball of hair extending to his neck, wearing a baseball cap walked with a stiff torso, but his mousy eyes jittering back and forth, nervously changing and never locking down on any fixed point, seemed to tell me he wasn’t very at ease in the city, but he really was never given the choice, and it was kind of too late now. (3) A table down, a pale woman with tanned sunglasses, with shabby upper arms and scattered sunspots, tears a piece of transparent tape off and tapes another receipt on a letter format blanc sheet of paper, dotting down a note, which she encircles. (4) An Hispanic with dark muscled arms, covered with tribal tattoos, swings his shoulders and hips, hustler style, super fly manner, wearing a small hat with a narrow brim, and in the band sticks a gray feather, while his head marked by a hawk’s nose and wide nostrils, rotates scanning the periphery of his proxemics to catch people noticing his presence. (5) A lanky Chinaman, with a Vietnamese expression, and greasy hair combed backward, his dark blue checkered shirt hanging down to this knees, leans forward to balance the weight of the shiny trash bag on his back. (6) Her dark eyes looked like soft candy rolling down her reddish, girly cheeks, as she bit her thin lips with her canine teeth, and while she straightened her plain red summer dress, I almost melted for her kind impression, until her voice spoke in a deliberate intention and her straight laughter revealed only a shallow confidence, and I deeply disliked her.

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The Death of Literature
Death in literature is an elementary metaphor, as the fear of death is one of our Id’s primal impulses, together with the sexual urge to reproduce and overcome it. The resurrection of our mind is the symbol for the cycle of life, the seasons, birth and death, crucifixion and resurrection, destruction and creation, night and day, there’s probably nothing more universal, nothing more primal than death and life. The article in the Guardian In theory: the death of literature is a great short essay that analyzes the perspective of the Romantics on death in literature as an elementary original perspective that lays at the root of the birth of the modern novel. It’s a very original view with lots of references in high overview, which makes it easy to make any argument, but it’s convincing until midway when the argument becomes an old man’s lamentation on modern times. Here is where the author Andrew Gallix the other essence of the Romantics in my opinion, namely the overcoming of the fear of death in favor of a naive and blind will for creation, this resurrection of the conscious mind is what represents the true power of the Romantic era. In the face of death we are not afraid to throw ourselves in the abyss and love.

Der Zauberberg (1982)
An international production of Thomas Mann’s 20th century classic about the first world war, Der Zauberberg (1982).

Divine Mathematics: George Cantor and Infinity
In Dangerous Knowledge – BBC, Georg Cantor’s Continuum Hypothesis and Georg Cantor‘s life is described. Cantor was obsessed with the problem of infinity. Cantor reminds me Pythagoras, who founded a religious school of Pythagoreans who searched the divine truth by revealing the mathematical formulas that described nature. Boltzmann defined a breakthrough in the field of probability, which is crucial for the theory of entropy and chaos.

Solve Puzzles for Science - Fold.it
Solve puzzles for science with Fold.it. Crowd-sourcing scientific problems.

The Master and Margarita - Russia TV
The Master and Margarita – Russia TV Russia’s first television production of The Master and Margarita, the novel by Mikhail Bulgakov. Vladimir Bortko is the director and screenwriter of the new adaptation. The mini-series of ten 52-minute episodes was first screened on the state television channel “Россия” (“Russia”) on December, 2005. The Master and Margarita is a novel by Mikhail Bulgakov, woven about the premise of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, as well as one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.

Hunting the Hidden Dimension
Hunting the Hidden Dimension Pt. 1 This film is about looking at the world around us in a completely different way. If you pay attention, you can see that fractals appear throughout nature. But until Benoit Mandelbrot came along, no one really understood what was there all along. more...

Benoit Mandelbrot, Father of Eternity, Coined the Term 'Fractal'
Benoit Mandelbrot, Mathematician, Dies at 85 Dr. Mandelbrot coined the term “fractal” to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature.

Comparative Democracy
Originally, I was playing with the idea that representatives should have to pass an exam to become eligable to run for political office. While listening to C-SPAN broadcasts of Congress committees, or members of Congress giving interviews to NPR, where on some shows they are allowed more speaking time than the 20 or 30 seconds, I am too often shocked by the lack of depth and the absence of fact in their statements. more...

The Tree of Life
The Tree of Life Project (ToL) is a collaborative effort of biologists from around the world. The project provides information about the diversity of organisms on Earth, their evolutionary history (phylogeny), and characteristics. Another project that visualizes the phylogeny of life for the plants phylum is Deep Green by the Green Plant Phylogeny Research Coordination Group of Berkeley University.

Litarary Word Comparison
Introduction This is one of the small research projects that I am currently conducting. I am not pretending to offer or accomplish any scientific added value to the research community in the field of Natural Language Processing (NLP) but humbly submit my efforts to gain further personal learning. While the research remains unfinished and until I publish it formally, I will keep this post as a mini-post. As a Universal Man, a Humanist, a Renaissance Man each individual man has an obligation to question and further his or her knowledge and understanding, as it lies within our capacities. Learning is a tool to humble our heart, and most of all we should mistrust brave hearts. Matt Ridley in his book Nature via Nurture says (says Richard Dawkins in his The Ancestor’s Tale in The Mouse Tale chapter) that “the list of words in David Copperfield is almost the same as the list of words in The Catcher in the Rye.” Springing from this saying, I concluded that it would be an interesting project to create a plotter diagram in which the major works in literature (written, translated or edited into modern English for reasons of ease of comparison) are set out as number of total words versus the number of different words used and another network graph that displays the relative closeness of literary works by words used. The first diagram is the easiest to create of course, so I will start with this first, then moving on to the next network diagram. more...